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Lead Graffiti

120 A Sandy Drive, Sandy Brae Industrial Park
Newark DE 19711
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a letterpress lab of sorts

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Lead Graffiti

  • about
    • intro
    • bios
    • 12 DNA projects
    • callouts
    • our lab
    • contact
  • calendar
  • store
    • subscriptions
    • workshops
    • fine press books
    • broadsides & posters
    • cards
    • Cinderella stamps
    • Blank books by Lead Graffiti
    • Blank books by Anne Hessel
    • Tour de Lead Graffiti 2011-15
    • letterpress things for sale
    • New Products
  • workshops
    • STUDIO SUBSCRIPTIONS
    • TECHNICAL LETTERPRESS
    • . . basic type composition
    • . . vandercook
    • . . iron hand press
    • . . floor-model platens
    • . . week-long letterpress
    • CREATIVE LETTERPRESS explained
    • . . meander book online
    • . . werkman druksels
    • . . quotable broadside
    • . . holiday card
    • press rental
    • BOOKMAKING explained
    • . . bookmaking basics
    • . . 6-pocket accordion
    • . . one day one book
    • . . coptic stitch
    • . . clamshell
    • . . paste paper
    • . . bookmaking bonanza
  • blog
  • search

Resist

April 21, 2025 Ray Nichols

Sometimes it is a great time to be a letterpress printer. Printing has obviously played an important role in protesting in newspapers, books, and posters. The Trump elections offered us a number (actually you could probably say invinite) of opportunities.

Our involvement with the resistance group Indivisible gave us ample opportunities to print postcards and protest march signs that Indivisible supporters could use. Nowadays, the cost of stamps, even for postcards, has gone up so high that it is hard to justify.

During Trump’s first term, we got involved with a political group called “Indivisible.” We printed a couple dozen different cards, which we would send to all of the United States Senators, Republicans and Democrats alike. Did it do any good? To us, it did.

We were moved by the story of Otto and Irene Hampel, a German couple who the WWII Nazis executed for making a series of hand-drawn postcards that they would drop on staircases for people to pick up. Here is one of the surviving cards.

Starting in 2025, we’ve worked to up our game a bit. Here are a few of the early ones. We print at least 300 of the two cards each month to start. We give them to all attendees at the monthly 302United meetings and have started giving them to participants at marches.

We are currently reworking the Auschwitz card to refer to the El Salvador terrorism confinement center, CECOT.

Another one that has gotten some legs is “Resist.” Jill did a hand-rolled piece she called “Trees.” I took it and added the word Resist, based on the concept of “resisting amidst the chaos.”

Cutting the “wood type,” or you might say “book board type,” using our laser cutter allowed us to work on our largest iron hand press and 26” x 40” paper. The image below shows the 25” x 38” press bed type.

We’ve reworked the typographic mark a couple of times, trying to balance the readability and the image of chaos, to side just a touch on the readability.

We’ve made the typographic mark into a banner we use when participating in political marches.

The Delaware Eats Houston World Tour 1985 →

Our Lead Graffiti blog is a mass of varied information that is hard to understand. The search option in the top navigation works quite well if you can hit the right keyword (s). In this sidebar, we’ve highlighted some personally meaningful entries that might help if you want to try a couple of entries. To DEEP DIVE, click somewhere in the right column and then scroll down the left column. Also, if you know us, you can try searching for an appropriate word & the word “blog.”

2025

Resist
Liar, Liar.
Just do it!
Bernie Herman

2024

"Ink Pulls:" the hows and whys
Family holiday card workshop
“Liar, Liar.”+3 broadsides @ NAA exhibit
Waldorf diplomas / 2024
More on X-ing the Paragrab
”Concertina spine” book workshop
Lead Graffiti labyrinth
Jill, Ray, & Brodovitch @ the Barnes

2023

Forward for “X-ing a Paragrab”
UCBA member IMHO Meander Mook project
Black History is White History broadside
AIGA / Philadelphia Feedback broadside
Dunya Mikhail “Pronouns” broadside
etaoin shrdlu
Seven Fun Facts about the Linotype

2022

DCAD First-year talks
Cy Twombley. It’s just my opinion anyway.
”No more war. No more Putin.” broadside
Buying our Albion : that story
January 6th assault broadside

2021

Waldorf School of Philadelphia diplomas
Teleport broadside
ONLINE MEANDER BOOK letterpress workshop

2020

A design example of subtle racism
Looking back : Histories of Newark : 1758-2008
Retrospective exhibition at DCAD
Broadside : Black Lives Matter. A lot.

2019

A wonderful film about Ben Joosten
People Were Close (2004 book project)
WHYY-TV / Waldorf School of Philadelphia
What would a good student do?

2018
Alone in Berlin : postcard power
Doves’ type : metal & digital
“Blue Wave” broadside
John Bolton / Lead Graffiti connection
Alan Kitching’s VCUK workshops
U.S. Senators postcard mailing (coming)

2017
Four things you might want to know about Ray
Introducing Stephen Frykholm at AIGA

2016

Saul Bass. A no-show.
Burning Man & Lead Graffiti’s journal
Chris Fritton, The Itinerant Printer
Porter Garnets’s 10 commandments

2015
Best Intertype project #2 : round calendar
The Nash Equilibrium

2014
WHYY-TV’s Best of 2014
London Bombing’s 7th Anniversary

2013
Tour de Lead Graffiti. Sports Illustrated.
Grant Hart. Letterpress printer?
July 4th revolution coasters

2012
Thank You, Craig Cutler

2011
APHA National annual meeting program

2008
Designing Lead Graffiti’s logo
Art Directors Club of NY Grandmasters Award

2004
VCUK’s Alan Kitching letterpress workshops
VC family album pages

2003
Alan Fletcher : Raven Press logo origin
Bukva:raz! - Our first serious piece

2001
Visiting Eric Gill’s Gravesite