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Lead Graffiti

120 A Sandy Drive, Sandy Brae Industrial Park
Newark DE 19711
Phone Number
a letterpress lab of sorts

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Lead Graffiti

  • about
    • intro
    • bios
    • 12 DNA projects
    • callouts
    • our lab
    • contact
  • calendar
  • store
    • subscriptions
    • workshops
    • fine press books
    • broadsides & posters
    • cards
    • Cinderella stamps
    • Blank books by Lead Graffiti
    • Blank books by Anne Hessel
    • Tour de Lead Graffiti 2011-15
    • letterpress things for sale
    • New Products
  • workshops
    • STUDIO SUBSCRIPTIONS
    • TECHNICAL LETTERPRESS
    • . . basic type composition
    • . . vandercook
    • . . iron hand press
    • . . floor-model platens
    • . . week-long letterpress
    • CREATIVE LETTERPRESS explained
    • . . meander book online
    • . . werkman druksels
    • . . quotable broadside
    • . . holiday card
    • press rental
    • BOOKMAKING explained
    • . . bookmaking basics
    • . . 6-pocket accordion
    • . . one day one book
    • . . coptic stitch
    • . . clamshell
    • . . paste paper
    • . . bookmaking bonanza
  • blog
  • search

An omen from the dark arts

September 8, 2018 Ray Nichols
craig-gutenberg-matching-fold.jpg

It was the summer of 2002 in London when our obsession with letterpress first saw the light of day. Two and a half years earlier an omen of our life-altering experience was foretold in the pages of Life Magazine.

Life produced an issue devoted to the 100 incredible discoveries, 100 cataclysmic events, 100 magnificent moments of the past 1,000 years + the 100 most important people.

#1 was Gutenberg Prints the Bible.

"OF ALL THE millennium's technological revolutions, the most far-reaching started just before the era's midpoint. Throughout history, the ability to read and write had been confined mostly to tiny elites of nobles, priests and scribes. But in the 15th century, a literate middle class arose in Europe. Its hunger for knowledge led inventors to seek a way to mass-produce the written word. And when German goldsmith Johann Gutenberg succeeded--creating his masterpiece, a run of 200 gorgeously typeset Bibles, in 1455—he unleashed an information epidemic that rages to this day."

I've always been drawn to the notion of the first western book, having seen at least 12 different copies in various exhibitions at The Library of Congress, the J.P. Morgan Library and the New York Public Library. Its scale is somewhat unimaginable along with the intense black for the first run at a significant book that still looks as if was printed yesterday. It was stunning even for someone without any interest in the process required.

The photo that you can see above has a beautiful raking light hinting evidence of the dampened paper used in the 1450s and printed on a wooden hand press in Mainz, Germany. The warmth of the color and the choice of a rather non-descript page without any over-the-top illumination when you often see in photographs.

My eye was drawn to the credit line.

Photographer: Craig Cutler.

I had been Craig's major professor when he was a student of mine 17 years earlier. At the start of his senior year, he came to me and asked if he could major in applied photography while I was teaching advertising design. I suspect it took 0,5 seconds to agree. Craig is one of those students you dream of getting into a class. I don't think I taught him anything. I just went through the process with him. That is about all I could offer.

 Thanks Craig for the warning that was getting ready to change our creative lives.

← Doves Press type : metal & digitalBlue Wave broadside collaboration →

Our Lead Graffiti blog is a mass of varied information that is hard to understand. The search option in the top navigation works quite well if you can hit the right keyword (s). In this sidebar, we’ve highlighted some personally meaningful entries that might help if you want to try a couple of entries. To DEEP DIVE, click somewhere in the right column and then scroll down the left column. Also, if you know us, you can try searching for an appropriate word & the word “blog.”

2025

Resist
Liar, Liar.
Just do it!
Bernie Herman

2024

"Ink Pulls:" the hows and whys
Family holiday card workshop
“Liar, Liar.”+3 broadsides @ NAA exhibit
Waldorf diplomas / 2024
More on X-ing the Paragrab
”Concertina spine” book workshop
Lead Graffiti labyrinth
Jill, Ray, & Brodovitch @ the Barnes

2023

Forward for “X-ing a Paragrab”
UCBA member IMHO Meander Mook project
Black History is White History broadside
AIGA / Philadelphia Feedback broadside
Dunya Mikhail “Pronouns” broadside
etaoin shrdlu
Seven Fun Facts about the Linotype

2022

DCAD First-year talks
Cy Twombley. It’s just my opinion anyway.
”No more war. No more Putin.” broadside
Buying our Albion : that story
January 6th assault broadside

2021

Waldorf School of Philadelphia diplomas
Teleport broadside
ONLINE MEANDER BOOK letterpress workshop

2020

A design example of subtle racism
Looking back : Histories of Newark : 1758-2008
Retrospective exhibition at DCAD
Broadside : Black Lives Matter. A lot.

2019

A wonderful film about Ben Joosten
People Were Close (2004 book project)
WHYY-TV / Waldorf School of Philadelphia
What would a good student do?

2018
Alone in Berlin : postcard power
Doves’ type : metal & digital
“Blue Wave” broadside
John Bolton / Lead Graffiti connection
Alan Kitching’s VCUK workshops
U.S. Senators postcard mailing (coming)

2017
Four things you might want to know about Ray
Introducing Stephen Frykholm at AIGA

2016

Saul Bass. A no-show.
Burning Man & Lead Graffiti’s journal
Chris Fritton, The Itinerant Printer
Porter Garnets’s 10 commandments

2015
Best Intertype project #2 : round calendar
The Nash Equilibrium

2014
WHYY-TV’s Best of 2014
London Bombing’s 7th Anniversary

2013
Tour de Lead Graffiti. Sports Illustrated.
Grant Hart. Letterpress printer?
July 4th revolution coasters

2012
Thank You, Craig Cutler

2011
APHA National annual meeting program

2008
Designing Lead Graffiti’s logo
Art Directors Club of NY Grandmasters Award

2004
VCUK’s Alan Kitching letterpress workshops
VC family album pages

2003
Alan Fletcher : Raven Press logo origin
Bukva:raz! - Our first serious piece

2001
Visiting Eric Gill’s Gravesite