May
15
6:30 PM18:30

Upper Chesapeake Book Arts monthly meeting

Jill Cypher and Anne Hessel will present a classic long stitch workshop. All tools and materials will be furnished. A $5 fee is requested to cover materials. Patti Paulis will be assisting.

Additionally, 5 UCBA members who attended a “Custom Clamshell” workshop will share their resulting box and the object it contains.

The meeting will be held at Lead Graffiti, 120A Sandy Drive, 6:30 - 8:30 pm

Our meetings also always have a new show-and-tell element to highlight recent work and demonstrations of book-related strategies & techniques from our members.

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Jun
19
6:30 PM18:30

Upper Chesapeake Book Arts monthly meeting

The monthly meeting of Upper Chesapeake Book Arts.

The focus will be creating our Collaborative Group Book Project. Each participant will show up with their pages, and we will each make either an accordion book or meander book (24-30 pages) and tip the pages in.

Our meetings also always have a new show-and-tell element to highlight recent work and demonstrations of book-related strategies & techniques from our members.

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Jul
17
6:30 PM18:30

Upper Chesapeake Book Arts monthly meeting

The monthly meeting of Upper Chesapeake Book Arts.

The focus will be creating our Collaborative Group Book Project. Each participant will show up with their pages, and we will each make either an accordion book or meander book (24-30 pages) and tip the pages in.

Our meetings also always have a new show-and-tell element to highlight recent work and demonstrations of book-related strategies & techniques.

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Apr
17
6:30 PM18:30

Upper Chesapeake Book Arts monthly meeting

The monthly meeting of Upper Chesapeake Book Arts. Always have a new show and tell to highlight recent work and demonstrations of book-related techniques.

Rebecca Johnson Melvin will host UCBA’s monthly meeting while we visit the University of Delaware Library’s Special Collections in Morris Library. These book issues have been requested: stitching, meander, book enclosures, accordion—and binding techniques.

Let Rebecca know of any particular interests you may have in addition. Email Rebecca to reserve your space, as there is a limit of 12 that can attend.

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Apr
6
10:00 AM10:00

Manhattan Fine Press Book Fair

We’ve done the Manhattan Fine Press Book Fair for the past 8 years.

Put on by the Fine Press Book Association, it displays the work of about 40 fantastic letterpress printers. Great fun talking to all of the people who attend and the other printers.

If you are in the neighborhood, could you stop by and ask us questions about our work?

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Mar
20
6:30 PM18:30

Upper Chesapeake Book Arts monthly meeting

We will travel to The Delaware Contemporary to visit Caroline Browns’s studio and possibly some other studios. When you enter the Contemporary, go to the left side of the entrance area, and you’ll see a listing of studio numbers and artists. Take that hallway to Caroline’s studio, which is 2Q. The contemporary is located at 200 South Madison Street, Wilmington, DE 19801

Hopefully, we’ll meet the visiting photography artist from Afghanistan and Lisa Marie, the artist next door to Caroline.

Our meetings also always have a new show-and-tell element to highlight recent work and demonstrations of book-related strategies & techniques from our members.

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Feb
22
10:00 AM10:00

UCBA Philadelphia Field Trip proposal

Several of us (Ray, Jill, Monique, Chuck, Patti, and I) plan a field trip to Philadelphia on Thursday, Feb 22nd. More information is below. If you are interested (even remotely), let me (Carol Maurer) know, and I will begin a separate email chain so as not to clutter up everyone's inbox.

The Free Library of Philadelphia visit

6pm - attend the Black Book Makers talk given by Ramon Townsend. (https://libwww.freelibrary.org/calendar/event/133366

Other options before the talk:

*Visit the Rare Books Room at The Free Library.
I can make an appointment if we want books pulled, but it is open to the public until 5pm and you can just walk in. (https://libwww.freelibrary.org/programs/rarebooks/)

* See "Books as Life” - Philadelphia Center for the Book Members’ Exhibition at the University of the Arts, Gallery 224, 333 S. Broad Street, Philadelphia, PA 19106.  The impact of art and creativity as we move through our day-to-day lives automatically happens.  As we go through our daily lives, displays of art or instances of creativity are incorporated into our day. On the way to work, we walk past a public garden of colorful wildflowers and a beautiful muralation with an abundance in the train st.  These moments that insert themselves into our thoughts or subconscious can initiate a creative spark, idea, or revelation to our imagination.   How do these occurrences impact us? These artists’ books are representations of how a painting, some written words, or a sculpture can create a required spark of art into our world.  This year, we invited our members to submit up to three works that offer a reflection on what an instance of art in life means to them.

For hours, registration, and other information visit: www.philadelphiacenterforthebook.org

Exhibition dates: January 23, 2024-February 24, 2024
Gallery hours:
Monday-Saturday 9AM-7PM
Sunday from 10AM-7PM

Guests must send an email to jkahle@uarts edu with a visiting request with the date and names at least 24 hours before the visit. Identification and sign-in are required to enter the building. - I will do this if we decide to see this exhibition and UArts is 1.2miles away/30 30-minute walk from the Parkway Central Library.
*Visit The Rosenbach Museum - about a mile from the Free Library of Philadelphia. There is an entrance charge, and we can sign up for a tour. https://rosenbach.org/  We can always save this for a separate outing and combine it with a drink or meal at Parc (https://parc-restaurant.com/) to celebrate Monique!
And I/we are open to any other options...please suggest!!

Cheers,
Carol

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Feb
21
6:30 PM18:30

Upper Chesapeake Book Arts monthly meeting

Meeting agenda:

1- Alexi Natchev will be demoing his fun book-making technique.

2- The theme for our collaborative Group Book will be determined along with the size. 

3- This is ALSO the COMMITMENT DEADLINE. Please respond on or before that date to Patti if you will be participating. This will allow participating members to know how many pages they need to create and give each person 4 months to do so.

The themes that were written down at the December gathering were:

1- Spirals

2- Planned Obselence

3- Upcycling

4- Abecedarian - each person interprets/renders a letter-sewn binding (to use/practice what we are learning during meetings this year.

5- Architecture

6- Imprinting

See you at the meeting.

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Feb
1
8:30 AM08:30

UCBA Library of Congress field trip

You need to be a relatively active member of UBCA to sign up for this trip. Our group is limited to 15.

To actually sign up for the trip you need to go here. You also need to make sure you read all of this note for details, rules, and schedule.

The sequence of events for Thursday, February 1:

8:45 am - catch the MARC 525 train from Perryville to Union Station, Washington, DC, arriving at 10:28am—$ 26 roundtrip. You can buy your tickets using a credit card from the kiosk in the lobby. Parking is free. The train cars are double-decker style, and you must climb steps to board the train and reach either level of the seating.

From Union Station, we will walk about 1 mile (definitely uphill) to the Jefferson Building of the Library of Congress. The Library of Congress is directly behind the U.S. Capitol Building and looks toward the Lincoln Memorial down the mall. Be prepared to go through metal detectors. We have timed tickets to get into the Library, so we must be together when we enter.

We’ll go to the 1st floor for Reader’s Card Registration to have your photo taken and pick up your FREE Reader’s Card. You’ll need a photo ID. YOU’LL NEED TO FILL OUT THE ONLINE FORM by Wednesday to get your card at https://reader-registration.loc.gov/readerreg/remote/.

As soon as everyone receives their reader’s card, we’ll walk through the underground tunnel to the James Madison Building to eat in the 6th-floor cafeteria. There are lots of food options which you pay for by weight at the register. Enjoy the view from the wall of windows.

After lunch, we’ll walk back to the Jefferson Building. We’re trying to get someone to give a bit of a tour of the building. The central atrium is over-the-top ornate. We’ll try to walk into the main reading room, but with a group our size, we have to be very quiet.

By 1:00pm, we’ll go to the Rare Book Room. We should be met by Eric Frazier, who will be our host. Hopefully, we’ll meet Stephanie Stillo, the new Chief of Rare Books.

You don’t have to wear gloves to handle the books, but they expect you to wash your hands thoroughly beforehand. Be prepared to present your reader’s card. You may bring a pencil (no pens), paper, and cell phone into the reading area. All coats, bags, hats, etc., must be placed in one of the nearby lockers (no charge).

We’ll likely divide into 2 or 3 groups to examine the requested books. Some books are specific, and others are bookbinding styles in both early and contemporary artist’s book forms.

For your information, your reader’s card is good for 2 years. After this trip, you can return to the Rare Book Reading Room, find a book you want to look at in their online catalog, and ask to see it.

Around 3:00 or 3:30, assuming the weather is OK, we can walk past the U.S. Congress Building, think about politics to ourselves for a moment, and then on to the Natural History Museum (about 1 1/2 miles downhill), where we can see the “Nature of the Book” display. This isn’t a large display, but it covers many facts about bookmaking materials that interest you. We will likely enter the museum from Constitution Avenue and walk straight into the museum, heading to the two exhibition cases in a broad hallway.

Nature of the Book explores books of the hand-press era (from the use of moveable type in Europe in about 1450 to the rise of mechanization in the 19th century) through the myriad natural materials—animal, vegetable, and mineral—that went into their making. From essential ingredients like flax, leather, copper, and lead to the unexpected, like wasps and seaweed, the exhibition shows what the use of these materials can tell us about the book, touching on questions of use, process, global trade, and economy.

We’ll walk back to Union Station, where we can grab a bite to eat and catch the 6:35pm MARC 544 train back to Perryville, arriving at 8:23pm.

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Jan
17
6:30 PM18:30

Upper Chesapeake Book Arts monthly meeting

FIELD TRIP to the LIBRARY OF CONGRESS, Washington, DC. We will first get our free (be sure to bring a photo ID) LoC READER CARDS to admit us into the Rare Books Reading Room. The walk from Union Station to LoC is about 16 minutes (0.7 miles) and is UPHILL.

Also planned is a viewing of “The Nature of the Book” (at the Natural History Museum, about a 1.5-mile walk) during the trip. The walk back to Union Station is 1 mile.

The idea is that we will all catch the 8:50am MARC at Perryville to UNION STATION. The round-trip ticket will be about $26. Returns from Union Station to Perryville are as follows:

Leaves Union Station at 5:12pm and arrives at Perryville at 6:49.
Leaves Union Station at 6:30pm and arrives at Perryville at 8:18.
Leaves Union Station at 9:00pm and arrives at Perryville at 10:47.

Time during the day will be tight, so we need to conserve time as much as possible.

Closer to the 17th, we will have suggestions for bringing a brown bag lunch and eating in the LoC cafeteria.

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Apr
24
10:00 AM10:00

Waldorf School of Philadelphia / paste paper & printing diplomas

Photo from the 2022 results.

We’ve been doing the 8th grade Waldorf diplomas since 2012. A great time with an always amazing group of kids. Students do the pastepaper that wraps the diploma folder and if we can work out getting them to the studio, we print the actual diploma. Each student gets to handset their name and print their name on their diploma. It doesn’t get much better for us than that.

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Making a clamshell box
Apr
20
10:00 AM10:00

Making a clamshell box

We will spend the the day making a clamshell box for a book you’ll bring to the workshop.

This is being offered as part of our Bookmaking Bonanza workshop, which lasts from Monday - Friday. The cost for the 5 days of workshops and library visit is $600. You can also work in the studio on Saturday & Sunday for $60 a day to either rework a workshop or work on a personal project. You can get some help on your project if you need it.

One additional individual may take this workshop for $160. All materials, tools, and lunch will be provided.

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Making a clamshell box
Mar
25
10:00 AM10:00

Making a clamshell box

We will spend the the day making a clamshell box for a book you’ll bring to the workshop.

This is being offered as part of our Bookmaking Bonanza workshop, which lasts from Monday - Friday. The cost for the 5 days of workshops and library visit is $600. You can also work in the studio on Saturday & Sunday for $60 a day to either rework a workshop or work on a personal project. You can get some help on your project if you need it.

One additional individual may take this workshop for $160. All materials, tools, and lunch will be provided.

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An AIGA / Philadelphia Feedback broadside
Mar
10
to Mar 11

An AIGA / Philadelphia Feedback broadside

This is a broadside to promote AIGA / Philadelphia’s Feedback portfolio review to this year’s graduating seniors in a variety of design-related careers.

Ray and Bill Starkey will spend the day starting at 10:30 until they are done honing the design and printing a broadside.

We will take up to 3 additional people to be involved in the project. Free.

Go to SHOP > find the WORKSHOP.

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Mar
2
5:00 PM17:00

"First Friday Eve #6" studio open house

The exhibition focuses on Gingerly Press’s broadside series, “The Printed Walk.”

To play a more active role in Newark, Delaware's artistic & creative community, Lead Graffiti is sponsoring a monthly open house. We will highlight some of our work, including things we’ve collected, letterpress printing, and bookbinding.

We schedule our event on FIRST FRIDAY EVE to avoid conflicting with other Newark and Wilmington FIRST FRIDAY events.

The events will be 5 - 8 pm. Lead Graffiti is in the Sandy Brae Industrial Park, just off Otts Chapel Road. 120 Sandy Drive, Newark, DE. The seventh building is on the right.

We will have light snacks and drinks. Additionally, we will display examples of our clamshell boxes to promote upcoming workshops. Don’t get a babysitter. Bring the kids. Usually, what we schedule will work for kids down to the age of 6.

We have a 2,200-square-foot studio space and are willing to tour you through it, explain letterpress, or any of the projects we’ll have on display or from our collection produced by others.

Please feel free to email us with any questions. There is plenty of free parking, and the studio is wheelchair accessible.

We offer workshops focused on letterpress printing and bookmaking. Also, you can rent the equipment for your projects after you complete our workshops. We also often work on personal projects, typically broadsides (larger sheets printed on one side), to fulfill some unique focus. We will offer up to 3 people to collaborate with us on the project, and each will receive 2 copies of the finished piece. We are currently conceptualizing a broadside to celebrate BLACK HISTORY MONTH in our heads (we try to avoid working from sketches). BLACK HISTORY IS WHITE HISTORY is a general idea. You can click here to jump to the sign-up form if you like.

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Feb
18
11:30 AM11:30

Black History Is White History or vice versa

I just finished reading Elie Mystal’s “Allow Me to Retort | A BLACK GUY’S GUIDE TO THE CONSTITUTION.”

Wow.

Wow.

Wow.

I was thinking that sometime in the book I would come up with an inspiration for an Afternoon Diversion directed at Black History month.

The image above represents the idea, but there are lots of things I’ve got running through my head that will potentially alter things fairly radically.

The basic idea is to print on 2 sheets of paper (one black, one white) with a photopolymer plate image of wood type. I need to print that white type and I don’t think I can ever get the type clean enough so I’m going photopolymer). Tear them in half and glue them back together.

Others are free to join in. I’ll set the maximum to 4. I’d love to have diversity in any way we could all be diverse.

I’m thinking I’ll print the text for each sheet maybe up to 5 - 8 times, offsetting each to essentially blur the text. It may be better to print white on white and black on black. Not sure how the tear will work. Not sure if the tear should balance the color issue or it should be swayed one way or the other. Maybe do 3 sets of prints (one balanced, one toward black, one toward white). I could imagine that would look pretty interesting exhibited side by side. There are a number more variables I have in mind, but I’ll wait until the group is gathered to give others a say in the process.

Thank you, Elie. Now I wonder how I could get a copy of the broadside to him.

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An EDGAR ALLAN POE AFTERNOON DIVERSION
Jan
21
1:00 PM13:00

An EDGAR ALLAN POE AFTERNOON DIVERSION

January 19th is Edgar Allan Poe’s birthday.

Library of Congress has a conference we want to go to.

Ray is moving his POE AFTERNOON DIVERSION to Saturday. Had wanted to do it on Thursday which is his actual birthday, and coincidentally our granddaughter Zoe’s birthday.

Ray will spend the afternoon from 1:00 until he is done designing and printing a broadside based in some way on Edgar Allan Poe and/or his writings.

Ray will take up to 3 additional people to be involved in the project.

Go to SHOP > find the WORKSHOP.

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Jan
16
9:00 AM09:00

Paste Paper workshop

You can read the description of the workshop by clicking here. You can register for the workshop by clicking here.

This is being offered as a workshop in our Bookmaking Bonanza workshop, which lasts from Monday - Friday. The cost for the 5 days of workshops and library visit is $600. You can also work in the studio on Saturday & Sunday for $60 a day to either rework a workshop or work on a personal project. You can get some help on your project if you need it. We are willing to take an additional 2 people for the Bookmaking Bonanza.

The cost for the individual paste paper workshop is $90. We are willing to take an additional 3 participants who only want to take the single workshop. All tools and materials are supplied. You should easily be able to make 5 - 7 sheets.

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Dec
9
10:30 AM10:30

DCAD "Art in the Community" to the studio

The discussion will center on Helmut Krone’s thoughts about DESIGN SHELVES. I’m going to call them CREATIVE SHELVES as most of the students probably won’t be design students.

DCAD brings their first-year students in groups of 10-12 to Lead Graffiti for a bit of creative motivation. Hopefully, we can do our part. Secret word - “KRONE.”

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